Poti Pati is a film underpinned by a monologue that the character shares with herself – or with her double. The text challenges the characters, draws them together and adjusts itself to the rhythms of the bodies. The materiality of time is evoked in the physical details of the darkened environment and in the imaginary operation of obsolete machines.

Poti Pati expresses, in the polysemy of the monologue, in the migration of images between observer and participant, a challenge to the spectator-observer grounded in a lifelong bond between our own self and the other.