The book “A Colher de Samuel Beckett” by Gonçalo M. Tavares relates the role of the actor with the audience and is useful as a starting point for the making of a film composed of painting, music and text, which seeks to work on the divinisation of the

emptying of the divine, in other words, the criticism that is contemporary process of

divine services by false prophets, as a counterpoint to a society hungry for references, values, sharp teeth, godfathers and submission.